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Bel Canto: A History of Vocal Pedagogy, by James Stark
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In this well documented and highly readable book, James Stark provides a history of vocal pedagogy from the beginning of the bel canto tradition of solo singing in the late sixteenth and early seventeenth centuries to the present. Using a nineteenth-century treatise by Manuel Garcia as his point of reference, Stark analyses the many sources that discuss singing techniques and selects a number of primary vocal 'problems' for detailed investigation. He also presents data from a series of laboratory experiments carried out to demonstrate the techniques of bel canto.
The discussion deals extensively with such topics as the emergence of virtuoso singing, the castrato phenomenon, national differences in singing styles, controversies regarding the perennial decline in the art of singing, and the so-called secrets of bel canto.
Stark offers a new definition of bel canto which reconciles historical and scientific descriptions of good singing. His is a refreshing and profound discussion of issues important to all singers and voice teachers.
- Sales Rank: #238655 in Books
- Published on: 2003-03-28
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .80" w x 6.00" l, 1.15 pounds
- Binding: Paperback
- 352 pages
Review
'Bel Canto is an extraordinarily well written, carefully researched, and meticulously documented work that demonstrates the author's vast knowledge and mastery of historical and current pedagogical literature. Uniquely authoritative, highly informative, it is a monument in its field and highly recommended to all students of singing.'
(Richard Dale Sjoerdsma Journal of Singing)'In Bel Canto: A History of Vocal Pedagogy, Stark has brought together the worlds of voice teacher, laryngologist, and acoustician in a highly readable and informative resource. Never before has this information been more accessible. This is a treasure trove for all those interested in the human voice, and helps them to 'reason why' -- with specific information, old and new.'
(Darryl Edwards University of Toronto Quarterly) About the Author
James Stark is a singer, vocal instructor and musicologist, with a lifelong interest in vocal pedagogy. He has taught for the last twenty-five years at Mount Allison University in New Brunswick.
Most helpful customer reviews
10 of 11 people found the following review helpful.
A must for voice students/teachers
By db
This book covers the history of vocal pedagogy from its very beginings to detailed discussions on the thoeries of Manuel Garcia, Lamperti and so forth. It also gives you some glimpse on other techniques that were brought into being, backing them solidly with proofs to why the old italian school of voice production was and still is the most natural and favourite. It gives detailed description on the vocal technique itself with description of how the larynx works and so forth. (the title makes you think its only history but IT IS NOT! It is what one calls a professional down to earth book which talks about the practical but it is not an exercise workbook!) I never found a book so detailed in describing the many 'things' that are part of this technique so well put and easily understood. it also talkes about idiom and expression in the voice. Makes you love technique and not be bored just by reading about it, makes you appreciate this great gift our culture has handed upon us, to continue to nurture it in our own little ways. The Language is very well written - serious, steady and professional. Presentation is excellent. Points well made and clearly understood. This book has so many good virtues, that words just cannot measure what I mean to say. for me, it is THE definate voice bible I have been so long waiting for, both for my thesis and vocal studies! Then for further reading, I suggest J.T. Caldwell Expressive Singing Dalcroze Eurhythmics for voice. It sort of contiues where J.Stark leaves off as regards to discussing expressivity. With this later book Please be careful cause I was greatly dissapointed with the damaged one they sent me (without any reply when I complained) but nonetheless, a good book is a good book - sufferes a bit with presentation though.
2 of 2 people found the following review helpful.
The Real Music History
By voice doctor
This is the finest, most complete "true" history of music that I have ever read. If you have taken music history classes and this text was not included, your classes have led you into an instrumentally dominated world of delusion. If you want to know the truth behind the development of music outside the instrumental track, this book is a must. Learn the truth about the domination of singers from the dawn of the professional singer in the late 16th century to the dominance of the singer throughout history up to today. This is the type of knowledge that music historians in general do not want you to know!!
2 of 2 people found the following review helpful.
A must-have for voice teachers and serious singers
By Patricia Shanks
Those who would continue the tradition of beautiful singing owe it to themselves to include this book in their libraries. detailing the early days of Bel Canto and the findings of the first great masters, through the modern day and incorporation of science into the art and study of singing, this well-researched manual is chock-full of informative and enlightening historic facts. In spite of its 'all facts and no fluff' content, the book is an easy, pleasing, entertaining read.
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